Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Saturday, October 22, 2011

When I was 18 I bought a used Bolex 16mm ...

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When I was 18 I bought a used Bolex 16mm camera (no sound) from Calumet Camera in Chicago, got permission to audit a documentary film course at Northwestern University and waited for the Democratic Convention to arrive. My uncle Owen was a delegate from the Mississippi Freedom Democratic party and there was going to be a floor fight over which delegates from Mississippi got seated.

I never imagined that professional film motion picture cameras would go out of production. Of course, I never imagined the police rioting either, or the national guard preventing people from the South and West sides getting anywhere near the convention.

I resented the hell out of that at the time, but they probably deserve all the credit for the fact that I got through that week with an unfractured skull.
After 123 Years, Motion Picture Film Cameras Go Out of Production
Film is beautiful. It's going to be around for years to come. Plenty of feature films and TV shows are still being shot on film, and used film cameras will remain a viable rental market for a long tim...
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I thought the motto was "Don't be evil." ...

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I thought the motto was "Don't be evil." Apparently, individual journalists need not apply.
Adventures in self-publishing: Rejected from Google News!
Google, the search company that started as two guys at Stanford, openly discriminates against entrepreneurs. At least for its Google News product.Not only i
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Wednesday, October 13, 2010

Lies, Damned Lies, and Medical Science - Magazine - The Atlantic

Lies, Damned Lies, and Medical Science - Magazine - The Atlantic: image
"Simply put, if you’re attracted to ideas that have a good chance of being wrong, and if you’re motivated to prove them right, and if you have a little wiggle room in how you assemble the evidence, you’ll probably succeed in proving wrong theories right."

http://www.theatlantic.com/magazine/archive/2010/11/lies-damned-lies-and-medical-science/8269

Monday, February 23, 2009

New Search Technologies Mine the Web More Deeply - NYTimes.com

New Search Technologies Mine the Web More Deeply - NYTimes.com:

“One day last summer, Google’s search engine trundled quietly past a milestone. It added the one trillionth address to the list of Web pages it knows about. But as impossibly big as that number may seem, it represents only a fraction of the entire Web.

Beyond those trillion pages lies an even vaster Web of hidden data: financial information, shopping catalogs, flight schedules, medical research and all kinds of other material stored in databases that remain largely invisible to search engines.

The challenges that the major search engines face in penetrating this so-called Deep Web go a long way toward explaining why they still can’t provide satisfying answers to questions like “What’s the best fare from New York to London next Thursday?” The answers are readily available — if only the search engines knew how to find them.

Now a new breed of technologies is taking shape that will extend the reach of search engines into the Web’s hidden corners. When that happens, it will do more than just improve the quality of search results — it may ultimately reshape the way many companies do business online.

Search engines rely on programs known as crawlers (or spiders) that gather information by following the trails of hyperlinks that tie the Web together. While that approach works well for the pages that make up the surface Web, these programs have a harder time penetrating databases that are set up to respond to typed queries.

“The crawlable Web is the tip of the iceberg,” says Anand Rajaraman, co-founder of Kosmix (www.kosmix.com), a Deep Web search start-up whose investors include Jeffrey P. Bezos, chief executive of Amazon.com. Kosmix has developed software that matches searches with the databases most likely to yield relevant information, then returns an overview of the topic drawn from multiple sources.

“Most search engines try to help you find a needle in a haystack,” Mr. Rajaraman said, “but what we’re trying to do is help you explore the haystack.”

That haystack is infinitely large. With millions of databases connected to the Web, and endless possible permutations of search terms, there is simply no way for any search engine — no matter how powerful — to sift through every possible combination of data on the fly.

To extract meaningful data from the Deep Web, search engines have to analyze users’ search terms and figure out how to broker those queries to particular databases. For example, if a user types in “Rembrandt,” the search engine needs to know which databases are most likely to contain information about art ( say, museum catalogs or auction houses), and what kinds of queries those databases will accept.

That approach may sound straightforward in theory, but in practice the vast variety of database structures and possible search terms poses a thorny computational challenge.”


Thursday, June 07, 2007

Archetypes Come in Stereo

Poynter Online - Writing Tools:

"'The Ugly Duckling' has become the dominant story form of American popular culture, especially so-called 'reality' television shows, perhaps because the narrative fits snugly into a celebrity culture in which every person dreams of being a star. "

  • Think of the ways in which "American Idol" has dominated the entertainment industry. Consider how character story lines generate interest in the show. Yes, Simon, it is a singing competition. But it helps that Kelly Clarkson was a cocktail waitress in Texas, that Fantasia was a single mom, that Taylor Hicks sang in college bars and honky tonks.

  • A more subtle example, but proof of the pervasive power of the form, can be found in the 11-year PBS series "Antiques Roadshow." Folks line up at regional antiques fairs to have their old stuff appraised. First, the owner tells a story about how the object was obtained: "It's been in our attic since Aunt Bessie died in 1959." Or, better still, "I bought it at a garage sale for $30." Then the expert tells the story of the provenance of the antique and opines: "Would it surprise you to learn that this ashtray would go conservatively at auction for $30,000? That $30 was a good investment." The piece of junk is now treasure, the duckling a swan.
    It turns out that, whatever their personal stories, American political figures need to establish their duckling credibility (call it "duck-cred" for short) in order to qualify for swan status in the eyes of gullible voters. In other words, Lincoln probably cursed American politics forever by being born in a log cabin.

For every build-me-up story, there is a tear-me-down narrative. It turns out that the antidote to "The Ugly Duckling" is another ancient story form, "The Emperor's New Clothes."

In the coming months, journalists will encounter competing stories about the presidential candidates. Are they swans, or are they naked? Is Rudy Giuliani America's mayor, a hero of Sept. 11, or someone, in the counter narrative, responsible for his city's vulnerability? Is John Edwards an advocate for the common person or an unscrupulous ambulance chaser?

That's the problem with ancient story forms. They have strict requirements that force us to select some details but reject others. Real life -- unlike reality television -- is not scripted and staged. In real life, the swan was pretty cute as a duckling, and the emperor may not be dressed in gold, but at least he's wearing a golf shirt and Bermuda shorts.

The main stream media will fall into both archetypes through sheer laziness.

Today's paradigm isn't stereo. It's 5-1 surround sound. This longest ever presidential campaign deserves nothing less. Somebody needs to say that we're not choosing between war and peace, but between war and chaos or peace and chaos. Pretending that there are easy answers got us into this mess. No matter what happens, someone will offer a solution that is simple straightforward and dead wrong. Boy will it be tempting.

My profound thanks to Roy Peter Clark

con·cept: story