Thursday, April 10, 2003

Must What Goes Up Also Come Down?
A parenthetical thought: lately, parallels have been drawn in the press between Saddam Hussein's Iraq and the repressive Communists who ruled Russia. I think an important difference between the two regimes was revealed when the solidity of the comparative statues was tested. The Soviet one had to be dragged away with much effort, exertion, etc. And when it came down, it came down in one piece. In contrast, the Iraqi monument toppled quite easily. And when it did, it broke apart, leaving the hollow boots of the dictator on the pedestal. Of course, the statue's quick demise could be attributed to the superiority of American equipment and expertise, which seem to be in plentiful supply in Baghdad these days.

Compared to the events in Berlin and Moscow, the crashing of Mr. Hussein's statue was a much more modest affair. One got the feeling that the dancing, shirtless men didn't extend too far beyond the camera's eye. This is probably not such a bad thing, because big symbolic gestures, while immensely satisfying at the time, rarely live up to their promise. This is certainly true with regard to Germany, where almost 14 years after the fall of the wall, the economic and psychological division between East and West endures.

As for Russia, there is now persistent talk coming from Moscow's conservative mayor, Yuri Luzhkov, that the statue of Dzerzhinsky (which conveniently survived intact and has been living a quiet life in a Moscow park) should be returned to its former home — a traffic island in front of the headquarters of the former K.G.B. and its successor, the Federal Security Services. The liberal intelligentsia, of course, vehemently objects to the resurrection. But with polls showing that more and more Russians are looking on the Soviet past with fondness, there is a distinct possibility that one day we will see the once-toppled monument back at the heart of Moscow, gazing imperiously at passers-by.
http://www.nytimes.com/2003/04/10/opinion/10VOLK.html

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